Shah Rukh Khan's Pathaan proceeds with its triumph run in the cinema world, despite the fact that it's nearly been over a month since the covert operative spine chiller delivered. The film confronted no contest from other Bollywood discharges, including Kartik Aaryan's Shehzada and all the more as of late, Akshay Kumar's Selfiee, the two of which failed in the cinematic world. 

As indicated by the movies overall site, Pathaan had a 110 percent bounce on Saturday. On its 39th day, Pathaan is supposed to have acquired around Rs 2.86 crore in all dialects, carrying its complete assortment to Rs 534.82 crore. The film has further benefited colossally from the Rs 110 INR estimating and get one get one free proposition, guaranteeing a smooth sail over its 6th end of the week. 

Pathaan has crossed Rs 512.85 crore in Hindi, beating Baahubali The End's record, and will be at Rs 515 crore toward Monday's end. As of now, Pathaan remains at Rs 1033 crore around the world, with over Rs 388 crore from abroad, as per Film industry Around the world. Not just this is Shah Rukh Khan, Deepika Padukone, John Abraham's greatest blockbuster ever, this is additionally Bollywood's greatest hit at this point and has broken undefeated records including Aamir Khan's Dangal, and the Hindi form of Baahubali: The End. Be that as it may, Pathaan is as yet the main outcome in Bollywood's rundown, as different movies are neglecting to have an effect in the cinematic world. 

Then again, Akshay Kumar, who was viewed as practically strong in the pre-pandemic time, has seen his last five movies flop continuously. Selfiee procured over Rs 0.5 crore on its ninth day, carrying its complete to over Rs 15.52 crore. The film had a dreary begin and procured once again Rs 2.55 crore and had a really frustrating end of the week, simply acquiring over Rs 10 crore, arising as Akshay Kumar's most terrible lemon in north of 10 years. Last year, his movies Raksha Bandhan, Smash Setu, Bachchhan Paandey and Samrat Prithviraj had failed in the cinema world. 

Bollywood has been in the weeds beginning around 2022, with just a modest bunch of victories, while all large financial plan films, including Aamir Khan's Laal Singh Chaddha, tumbled in the midst of blacklist missions and much criticism. It is not yet clear assuming Ranbir Kapoor and Shraddha Kapoor's Tu Jhooti Main Makkaar can perform well at the ticket counter. The Luv Ranjan executive deliveries on March 8.

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Bollywood acting professional Akshay Kumar inaugurated the 43rd International Film Festival of India (IFFI) in Panaji on Wednesday night. The inauguration was followed by the testing of Ang Lee’s much-awaited 3D film Lifestyle Of Pi. 

Akshay Kumar lit the inauguration light in the use of partnership Details and Delivering Reverend, Manish Tewari, and Goa Primary Reverend Manohar Parrikar. 

Addressing the collecting, Akshay Kumar said: “This festival is not just a purpose to decorate. This international film festival is an event to keep in mind what movies is all about. Cinema indicates commitment, enjoyment, suspense, but most of all, movies need to be is close relatives time.” 

The 11-day lengthy film festival will see tests of over 160 movies from over 70 different nations. 

IFFI's Worldwide Competitors area will have 15 films; its Cinema of the Globe area will function 55 films; Native indian Elite area will have 47 films; the Native indian Surroundings has 20 movies and 19 documentaries. 

There will also be a unique Respect area to pay tributes to the best of Native indian movies who have approved away this season. A new area enjoying Oriental spiritualism through movies has also been released. 

Polish film maker, Krzysztof Zanussi, was granted with the Life-time Accomplishment prize at the inauguration. 

About 12,000 associates are required to be present at the festival. The ending film will be ‘The Hesitant Fundamentalist’ by Mira Nair.

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Sleaze seems to be the latest "in thing" in the entertainment world. `` Bigg Boss on the small screen is hotter over time, and then Bollywood. Sex is definitely selling like hot cakes!


Bollywood trade analysts, who had a closer look at how things take shape before the release of big films with Shah Rukh Khan, Akshay Kumar and John Abraham Vidya Balan to steal all the limelight with his strength in `The` Dirty Picture.


Ranbir Kapoor is `Rockstar` out to be a huge disappointment at the box office despite the hype. Desi and John Akki `s` Boyz at the corner of its release, and then the King Khan `DON` 2. But Vidya Balan can simply steal the show with her hot sizzling avatar in his last.


Speaking to a tabloid, trade expert said: "It` s likely that the film ('Dirty Picture') is to take a lot of money given topic, and for all. It is known that the film does well indoors as well As a spell on the public station. The budget for the film isn `t as great as is 'Don 2'. 'Desi Boyz story isn` t is very familiar. Then, with the pros and cons are released, it seems that' Dirty Picture 'will be more rosy picture books. "


Milan Luthria, the director of 'dirty picture', he said, "The response is good so far. We have worked with great dedication. As director, I would like the film is doing well. Each film is unique in its own way, has a place in their own right and it looks promising. I don `t think you can really compare the two films, because each has a different story to tell. Let` s go for the best because it `s really all that can do. "

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Censor Board seems to be throwing surprises in the film industry - some pleasant and unpleasant for others.


Two great films to come were examined by the Censorship Board this week and the committee's decision surprised many. Apparently, Akshay Kumar and John Abraham Desi Boyz received a certificate from an image, while Vidya Balan is a sex symbol in Dirty Picture was passed without any cuts.


A source says, "The creators of Desi Boyz had planned a U / A certificate as it is a big budget film with Akshay and John in the cast were largely aimed at family audiences and young too. Unfortunately for them, the film received an adult-certification. " Akshay Kumar and John Abraham play male strippers in the film and would have resulted in the board's decision.


On the other hand, the creators of The Dirty Picture was a little nervous about censorship. "While they had clearly expected a certificate of adult education (Vidya Balan with good dose of skin show), they were a little afraid if Censor Board would ask about discounts." The film also been in controversy with Silk brother Smith filed an action against the portrait of his sister bad end in the film. But the examiner did not see any problem, and the film was passed without any cuts.

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After the getting a very cold reception from the audiences and the box office for Chandni Chowk to China, Nikhil Advani and Akshay Kumar are back with Patiala House. The snippets from the various types of press it is getting suggests it’s a family drama set in UK with cricket as a major part of the movie. Sadly, nothing tells us that it is any more or less innovative then other movies about familial issues and sports that we have witnessed in the past.

That being said, Nikhil Advani, who has not struck gold after the success of Kal Ho Na Ho, has given us great musical scores at the hands of Shankar-Eshaan-Loy. Salaam-E-Ishq and Chandni Chowk to China, regardless of being epic cinematic duds, boasted of great music. Here’s hoping Patiala House delivers musically if not visually.

As mentioned, Shankar-Eshaan-Loy are once again in the music directors’ chairs while Anvita Dutt of Bachna Ae Haseeno and I Hate Luv Storys fame has penned the lyrics. It features the vocal talents of Hans Raj Hans, Mahalaxmi Iyer (Sadka Kiya - I Hate Luv Storys), Shafqat Amanat Ali (Mitwa - Kabhi Alvida Na Kehna), Master Saleem (Maa Da Ladla - Dostana), Vishal Dadlani (I Hate Luv Stoys - Title Song), Richa Sharma (Sajda - My Name Is Khan), Suraj Jagan (Jailhouse Rock - We Are Family), Shankar Mahadevan (Uff Teri Ada - Karthik Calling Karthik) and Hard Kaur (Move Your Body - Johnny Gaddaar).

Patiala House hits screens 11th of February 2011.

The album commences with Laung Da Lashkara, a relatively upbeat Punjabi number by Hard Kaur, Jassi and Mahalaxmi Iyer. I say relatively because it fails in comparison to recent Punjabi dance numbers like Gal Midhi Midhi Bol from Aisha and Ainvayi Ainvayi from Band Baaja Baaraat. It is a shame because Mahalaxmi and Jassi render the song really well. Hard Kaur on the other hand does what she always does; rap a mash of Hindi/Punjabi/English lyrics, which sound like all the others she has done so far. In short, the album gets off to a very lukewarm start, which dampens your interests about the other songs in the album. The song’s remix is equally uneventful if not worse.

Next is Kyun Main Jaoon, a beautifully composed situational number, rendered equally beautifully by Shafqat Amanat Ali. The piano is used extensively and is the crowning glory of the number. Shafqat’s exquisite vocals don’t hold back the emotions of Anvita’s well-penned lyrics about the leading character’s identity crisis. The album also features an unplugged version of Kyun Main Jaoon, which is equally brilliant as the first. While the remix of the song takes away the earthiness of the number, it remains a well-composed remix that does not drown the essence of the song.

Rola Pe Gaya commences as a typical traditional shaadi-sangeet number, but turns into a pseudo-modern number once Hard Kaur enters the picture with her predictable rap piece. After Laung Da Lashkara, personally, this act of hers is getting really old. There is still a glimmer of hope because the music is not too bad. It gets your feet tapping for a few seconds but once Shankar and Mahalaxmi start singing all hope is lost. Anvita’s lyrics are odd and the melody is very unattractive. Despite featuring the talented Mahalaxmi and Shankar, the song resembles a train wreck. The remix neither hinders nor improves the number.

Vishal Dadlani’s Aadat Hai Voh is next. It is not your usual Vishal number so do not expect a Dhoom Again or Dhan Te Nan. Even though it gets off to an unimpressive start, the song transforms into angst-y rock ballad. Vishal’s low and high vocals do justice to Anvita lyrics and provide her words with the emphasis they need.

Patiala House’s first love song comes in the form of Baby When You Talk To Me rendered by Suraj Jaggan and Alyssa Mendonsa (Uff Teri Ada - Karthik Calling Karthik). The big-band-esque music definitely gets your feet tapping and Suraj’s vocals are very likable, but the result is something akin to Play School or Hi-5 songs. Lyrics aren’t very innovative. Case on point, baby when you talk to me…baby when you walk with me. The alternative remixed version does not make the number any more likable.

Tumba Tumba is a traditional qawali by Hans Raj Hans. Fans of qawalis will definitely love this number but others may give it a miss. It is essentially a situational track that will be most effective on screen.

Aval Allah, another situational track rendered well by Richa Sharma suffers from the same fate as Tumba Tumba. Fans of the genre will like the number but others may move to immediately disregard it.

The album ends with the various remixes discussed above.

In summary, Patiala House does not deliver musically like the previous three Advani and Shankar-Eshaan-Loy collaborations. Kyun Main Jaoon and Aadat Hai Voh are the best songs in the album, mainly due to Shafqat and Vishal’s amazing vocals and Anvita’s emotionally charged lyrics. The fast-paced numbers do not deliver, but if one had to choose, Laung Da Lashkara would be the lesser of the evils. In short, Patiala House struggles to impress.

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Tees Maar Khan

Personally, I've never understood Farah Khan's sensibilities as a filmmaker. In my opinion, Main Hoon Na and Om Shanti Om were films that simply were duds. However, during a recent conversation with two fellow reviewers who simply adore Farah's film, I realized that I haven't given the choreographer a fair chance perhaps. In my mind, she's always been a dancer par excellence and thus, I never thought she could cut it as a filmmaker. So I decided that I would give her 2010 offering, Tees Maar Khan, a real chance. And thus, I walked into the cinema with an open mind and heart, ready to take in and become a Farah Khan film fan. With Akshay Kumar, Katrina Kaif and Akshaye Khanna in lead roles, you were almost guaranteed a couple of not many Laugh Out Loud moments. However, is that sufficient enough to make Tees Maar Khan work at the box office and in the hearts of the critics?

Tezreb Khan urf Tees Maar Khan (Akshay Kumar) is a con artist (read: anti-Robin Hood) who is known to his mother as a film director. After managing to escape the clutches of the Indian police after he is captured in Paris, he embarks on a huge scam involving the renowned Siamese twins, the Jhori Brothers. However, TMK and his gang of three, realize this isn't going to be an easy task and thus, decide to turn the robbery into a film set. He involves the village people of a village, his girlfriend and wannabe item girl Anya Khan (Katrina Kaif) along with Oscar thirsty and desperate Aatish Kapoor (Akshaye Khanna). Depicting himself as a prominent Hollywood director, his film hits the floor but during the shoot, the villagers and TMK form a bond which reveals his more sensitive side. And while he does get caught in the bargain, he does manage to escape the clutches of the police, yet again.

Tees Maar Khan is hardly the most intelligent movie released or made in recent time. TMK is a complete brainless Akshay Kumar film which is atypical of Farah Khan. That said, TMK happens to now be my favorite Farah Khan film. The plot isn't smart but it definitely is funny. The jokes and dialogues, courtesy of Shirish Kunder, are smart and spoofy but yet entertaining. As a director, Farah Khan does what she does best; create over the top situations which are really unfathomable. Her execution of such a film needs to be noted simply because it is hard to make such a film with such a plot. But the problem lies with the unfathomable part of the film. But in her defense, she has never claimed to be a filmmaker who makes films which are meant to make you think. As long as an audience member, you walk in with zero expectations and realize that Tees Maar Khan is in fact a brainless film, you will walk out a lot happier. What works for the film are the one liners, the spoofs and characters that are incredibly funny.

Akshay Kumar steals the show in Tees Maar Khan. The actor manages to pull off yet another over the top character and works it. Kumar understand the comedy genre and with complete ease manages to become the ultimate soul of TMK. His chemistry with all the supporting actors is commendable and he works with all of them well. Katrina Kaif as the bimbette is hardly used but is a delight to watch especially in and as Sheila. Akshaye Khanna is simply mind-blowing! The actor plays a desperado Oscar craving actor and his "Day Ho" enactment is simply hilarious. Khan's chelas are awesome and really work well with Akshay Kumar. Arya Babbar impresses as the local villages police inspector who really masters the rustic dialect and attitude.

As for the dances, which is an impeccable part of Farah Khan films, they all are simply average. Sheila Ki Jawani starts with a bang but really loses steam as it continues while Bade Diwala seems more like a Holi number. Disappointing.

Tees Maar Khan is not Farah Khan's best but it definitely could have been worst. However, it is a fun holiday watch because it manages to be a complete paisa vasool film which it was anticipated to be.

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